Two Debut Interview – Joy Keller and Alison Goldberg

In today’s Picture the Books Two Debut Interview, debut author Alison Goldberg interviews debut author Joy Keller about MONSTER TRUCKS illustrated by Misa Saburi (Godwin Books/Henry Holt, 2017).

 

Alison: Congratulations on your debut! Before we discuss MONSTER TRUCKS, I see in your bio that you have experience driving trucks on a blueberry farm. What was that like?

 

Joy: I drove a pickup truck that was converted into a surrey. I’d pick up customers and drop them off to pick blueberries. The farm was forty acres. Sometimes the surrey also doubled as a rescue truck, so I’d have to drive really fast over the bumps in the field. It was a fun job, and a chance to learn to drive a stick shift.

Alison: And great research for writing a truck book! If you could visit the world of any picture book, which would it be?

Joy: If I had to pick a character that I would want to hang out with, it would be Otter from the OTTER books by Sam Garton. Otter is so funny and gets into so much trouble. She reminds me of my own kids. If I was just looking at pictures, I would choose the very old-school fairy tale worlds created by Trina Schart Hyman. LITTLE RED RIDING HOOD and SAINT GEORGE AND THE DRAGON books from when I was a kid have amazing illustrations. I’d like to walk through those worlds.

Alison: Where did the idea for MONSTER TRUCKS come from?

Joy: When my kids were little, my daughter only liked Halloween books and my son only liked truck books. We would check the same books out of the library all the time. I wondered why there wasn’t a book combining the two. It could be called MONSTER TRUCKS! Once I had the title, the story followed.

Alison: MONSTER TRUCKS is such a perfect blend of these two themes. Do you have a favorite Halloween costume from childhood?

Joy: My parents did a really good job making elaborate homemade costumes for me. One year, I was the Queen of Hearts. My mom copied every little detail of a playing card onto the front and back of my poster board costume. I didn’t want to take it off at school, but I couldn’t sit in it, so I stood for much of the day.

Alison: What’s your favorite truck?

Joy: When I was a kid I loved the street cleaner with a vacuum tube used to suck up debris. I called it the elephant truck.

Alison: That sounds like the start of another truck book. As a teacher, do you ever share your picture book manuscripts with your students?

Joy: I do. I also share my revisions. Kids often think that when you are a writer you only need to write something once, and I like to show them that even published writers need to rewrite stories many times. I share my rejection letters, too, so they can see that part of the process.

Alison: How will you celebrate the release of MONSTER TRUCKS?

Joy: My release party is taking place in an ice cream shop called Moonlight Creamery. They’re going to rename all of their ice cream flavors to match the book, including a flavor called “Tire Tracks.”

 

Alison: How fun! You have a few other picture books coming out after your debut. Can you tell me about them?

 

Joy: I’m so excited about MISS TURIE’S MAGIC CREATURES (Innovation Press, 2018), a book about a pet store that sells mythical beasts.

I also have a nonfiction book about fungus coming out in 2019 called THE FUNGUS AMONG US (Innovation Press, 2019). My son developed a fascination with mushrooms when he was little, so we go on hikes and get pictures of different varieties. They’re cool to look at and learn about, but I don’t especially like to eat mushrooms!

Alison: I look forward to reading these books. Thanks, Joy! Congratulations!

 

Joy Keller isn’t a monster, but she does have experience driving trucks on a blueberry farm. Her debut picture book, MONSTER TRUCKS (Henry Holt, 2017), is all about monsters and the vehicles that match their personalities, from the skeleton crew that fixes roads to the werewolf who digs, digs, digs. Joy currently teaches elementary students of all ages and lives in Fairport, NY with her husband, two children, and four cats. You can visit her at www.joykellerauthor.com or find her on Twitter @jrkeller80.

 

Alison Goldberg is a writer based in Cambridge, Massachusetts. I LOVE YOU FOR MILES AND MILES, illustrated by Mike Yamada (Farrar, Straus and Giroux, December 2017) is her debut picture book. Before becoming a children’s book author, Alison worked for economic justice organizations and wrote a resource guide about social change philanthropy. These days, she blogs about activism in children’s literature and loves researching everything from marine life to contemporary art for her books. She is represented by Kathleen Rushall of the Andrea Brown Literary Agency. Learn more at www.alisongoldberg.com or on Twitter @alisongoldberg.

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Two Debut Interview – Alison Goldberg and Andrea Loney

In today’s Picture the Books Two Debut Interview, debut author Alison Goldberg interviews debut author Andrea J. Loney about her two new picture books, TAKE A PICTURE OF ME, JAMES VANDERZEE! and BUNNYBEAR.

Congratulations on both of these wonderful books, Andrea! Before we discuss them, your bio says that you once ran away to live with the circus… What was that like?

Yes, after I got my MFA, I ran away with Big Apple Circus in New York so I would have something to write about besides being a student. I met amazing people (and animals) from all over the world, learned the secret to making magic every day (hard work and dedication), and started my entertainment career with an intriguing resume (“you worked at a WHAT?!). It was one of the greatest adventures of my life and I suggest that everyone run away with a circus someday.

That sounds like a very inspiring setting! If you could visit the world of any picture book, what would it be?

Ooh, good question! Right now it’s a tie between dancing and partying with the dinosaurs in Kelly Starling Lyons ONE MORE DINO ON THE FLOOR, or knitting and singing sea chanteys with the mateys in Diana Murray’s NED THE KNITTING PIRATE. Tough decision.

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TAKE A PICTURE OF ME, JAMES VANDERZEE! is the story of a real photographer. How did you find your subject?

Ever since I was a kid, I loved looking through vintage Victorian-style African American photographs. Years later I read a biography of James VanDerZee and discovered that even though he’d been taking pictures since he was a child, he didn’t get “discovered” as an artist until he was in his 80s! That’s when I realized that I just had to find a way to share his amazing comeback story with children.

The depth of research shines through on every page. What was your process like? Did you uncover particular details that surprised you?

Thank you! The book covers about 85 years of his life, so there was a lot of material to wrangle. I read everything I could find on him, I looked at hundreds of his photographs, I spoke to people who’d met him — including his widow, and I even ended up searching through public records online to fill in some of his family details. The most surprising things that I found in the research is that James VanDerZee was raised in a fairly integrated town where black and white people attended school and church together and that he became the unofficial town photographer at age 15.

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His story is so compelling. What are some of your favorite picture book biographies?

Oh, there are so many that I adore! I love FRIDA by Jonah Winter, ME, JANE by Patrick McDonnell, JIMI SOUNDS LIKE A RAINBOW by Gary Golio, THE COSMOBIOGRAPHY OF SUN RA by Chris Rachka, MANFISH: A STORY OF JACQUES COUSTEAU by Jennifer Berne, NEO LEO: THE AGELESS IDEAS OF LEONARDO DA VINCI by Gene Barretta. SOME WRITER! THE STORY OF E. B. WHITE is not exactly a picture book but it is one of the most delightful biographies I’ve read. I really enjoy picture book biographies that are designed to help the reader experience the world of the story through the subject’s unique point of view.

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TAKE A PICTURE OF ME, JAMES VANDERZEE! won the 2014 Lee & Low New Voices Award.  This writing competition is an important part of efforts to increase diversity in children’s publishing. What has this award meant for your book?

At first, the award meant that I received nicer and personalized rejection letters! But the Lee & Low New Voices Award has definitely brought more attention to my writing. It got the attention of my agent, Jill Corcoran, and after she saw my other work she decided to sign me. The award has definitely put this book on the radar for many teachers, librarians, booksellers and more.

Earlier this year you released another terrific picture book, BUNNYBEAR. How did you get the idea for the story?

I was just brainstorming silly ideas with a friend and I blurted out, “A bear who feels like he’s really a bunny.” But then I thought about all of the times in my life and my friends’ lives when we didn’t feel like we would ever fit in, and how we struggled to just be ourselves.

I love when Bunnybear says, “You just look one way on the outside and feel another way on the inside. That’s okay.” This is such an important statement for children to hear and read, again and again.

The poet E. E. Cummings once said, “To be nobody but yourself in a world which is doing its best, night and day, to make you everybody else means to fight the hardest battle which any human being can fight; and never stop fighting.” I think it’s important for children to know that even if they don’t always fit into the neat little boxes that society has already laid out for them, they’re still okay. Maybe they’re made to stand out instead. I also remind them that if they just keep being themselves, they’ll eventually find someone who likes them just the way they are.

What’s next for you?

My next book, Double Bass Blues, comes out in 2019 with Random House Knopf. It follows the adventures of an imaginative young black boy as he carries his double bass home through various neighborhoods, surrounded by the music of the city.

And I am always, always, always working on more picture books.

I look forward to reading them. Thank you, Andrea! Congratulations!

 

 

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Andrea J Loney’s picture book BUNNYBEAR, (Albert Whitman & Company, January 2017) is about a bear who believes in his heart that he’s really a bunny. Her upcoming debut picture book, TAKE A PICTURE OF ME, JAMES VANDERZEE! (Lee & Low Books, Spring 2017), is the 2014 New Voices Award-winning picture book biography of the legendary black photographer of the Harlem Renaissance, and her third picture book DOUBLE BASS BLUES shares the adventures of a young black boy carrying his double bass home from school (Random House Knopf, 2019). A community college instructor with an MFA in Dramatic Writing from New York University, Andrea is also a proud volunteer for Reading to Kids and the We Need Diverse Books campaign. She lives in sunny Los Angeles, California with her devoted family, embarrassingly spoiled pets, and towering stacks of picture books. Visit her on Facebook, Twitter, Instagram, or Pinterest.

 

goldbergalisonframeAlison Goldberg is a writer based in Cambridge, Massachusetts. I LOVE YOU FOR MILES AND MILES, illustrated by Mike Yamada (Farrar, Straus and Giroux, December 2017) is her debut picture book. Before becoming a children’s book author, Alison worked for economic justice organizations and wrote a resource guide about social change philanthropy. These days, she blogs about activism in children’s literature and loves researching everything from marine life to contemporary art for her books. She is represented by Kathleen Rushall of the Andrea Brown Literary Agency. Learn more at www.alisongoldberg.com or on Twitter.

 

Thanks for supporting and celebrating 2017 picture book debuts with us! You can learn about more great debut authors, illustrators and books in our Creator and Book galleries. Keep in the loop on all the excitement by following @picturethebooks on Twitter and Instagram, too!

Two Debut Interview – Heather Preusser

It’s time for another Picture the Books Two Debut Interview!

Today, Julie Segal Walters interviews Heather Preusser about her debut picture book, A SYMPHONY OF COWBELLS.

In this book, Petra and her family lead their prize dairy cows into the pastures to graze, and each cow wears her own jingling, jangling, clanging bell. What a symphony! But when Petra’s favorite cow, Elfi, loses her bell the whole herd is out of harmony and refuses to move. Will Petra be able to find Elfi’s bell before it’s too late? With charming illustrations by Eileen Ryan Ewen, this whimsical story is sure to delight children and adults alike.

 

JSW: Welcome, Heather! Let’s start our interview with some warm-up questions. First, if you could live in the world of any picture book, which world would it be and why?

HP: I would love to live in A CHILD OF BOOKS by Oliver Jeffers and Sam Winston. I’ve always been a Jeffers fan and I have a soft spot for postmodern meta-fiction (like your upcoming book!), but, as both an English teacher and a writer, this book melted my heart. Here’s the summary from the dust jacket: “A little girl, a child of books, sails her raft across a sea of words and arrives at the house of a young boy. She invites him to go away with her on an adventure into the world of stories…where, with only a little imagination, anything at all can happen.” Winston shapes his topographical landscapes using the text from forty children’s classics, which are listed in the end papers. As I child, I too got lost in “forests of fairy tales.” Because of my mother’s mental illness, I escaped into books, seeking solace and solutions within the prose. The younger version of me would have loved to “travel over mountains of make-believe.” The older version of me is still traveling.

JSW: The poetry of your language of seeking solace and solutions speaks so beautifully to the power of books to transport readers, which is why so many of us write for children. Is there a published picture book that you wish you could have written?

HP: I love everything by Julie Fogliano, but I especially love IF YOU WANT TO SEE A WHALE (illustrated by Erin E. Stead). Fogliano’s stories are poems; they’re spectacularly spare, and every image, every phrase, every word is perfect: “if you want to see a whale / be careful not to notice / something inching, small and green / across the leaf, just nibble scoot / because things that are smaller than most small things / can’t be as giant as a whale.” “Nibble scoot”? Holy, I-just-saw-a-whale! How picture-perfect is that? As a former Maine-iac, I fell in love with this story even more when I read that Fogliano wrote it while vacationing in Maine one summer. After rereading it for this blog post, it was also a timely reminder that, as a writer, I need to be persistent but patient, very patient (and I should ignore pelicans).

JSW: “Persistent but patient” may be my new favorite line that summarizes children’s publishing. Speaking of favorite lines, what’s your favorite first line of a book?

HP: I’m going to have to go with HARRY POTTER AND THE SORCERER’S STONE by J.K. Rowling on this one (and that’s not because I’m a Potterhead who’s been sorted into Hufflepuff and has an eagle for a patronus, I promise). The first line introduces us to Harry’s extremely unmagical aunt and uncle as well as the setting, incorporates clever word play that Rowling weaves throughout the series, piques our interest, and establishes narrative voice – that’s a tall order for one line: “Mr. and Mrs. Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.” I also adore this series because it made reading cool again. When the last book in the series was released in 2007, I was attending a creative writing program at the Scottish Universities’ International Summer School in Edinburgh, Scotland. Everywhere I went, on every plane, train, and bus, people – both kids and adults – had their head buried in the book, yet paradoxically no one was allowed to talk about it for fear of ruining the ending.

JSW: Speaking of books, let’s talk about yours! What inspired you to write A SYMPHONY OF COWBELLS?

HP: I was inspired when my sister-in-law told me a story about an ornery, old cow she encountered while working on a Swiss dairy farm. Every spring these cows are paraded to the high meadows where their milk is turned into scrumptious cheese. Worried this old cow wouldn’t make the trek with such a heavy bell, the farmer traded her big booming bell for a tiny tinkling one. The cow refused to move. Ultimately, the farmer realized the error of his ways, reunited bell and bovine, and all was well. Thanks to my PiBoIdMo training, I knew this could make a good picture book manuscript, but I needed to increase the tension and create a satisfying ending. Twenty drafts later, and after recruiting two large Alpine crows, I felt ready to submit the manuscript.

JSW: Did it require much research? I bet you spent some time listening to the sounds of bells to get your onomatopoeia just right!

HP: My husband and I have done a lot of hiking in the Swiss Alps; however, most of that hiking and cheese tasting happened before I even had the story idea (does that count as “research”?). I did watch a lot of Rick Steves’ travel videos and have posted two short clips, one about Gimmelwald and one about the cheese making process, on my website. As you mentioned, getting the bell sounds just right was also tricky. In earlier drafts, one of my insightful critique partners (shout out to Carmela LaVigna Coyle) pointed out that a few bells sounded more like drums.

JSW: Will you also talk about your characters’ names. They’re so unique! Is there a story behind them?

HP: My husband is German, so I asked him for suggestions regarding Swiss-sounding cow names. At first we came up with Elfriede but predicted pronunciation would be problematic. It also sounded old-lady-ish, so he nicknamed her Elfi. Petra is named after one of my former roommates, who is not only one of the most determined and compassionate woman I know, but was also instrumental in setting me up with my husband. The real-life Petra now lives in Switzerland with her husband, so I made sure to send her a copy of the book.

JSW: How sweet! Okay, last question. What’s next for you and your writing?

HP: I have a handful of picture books on submission right now. This summer I’m also hoping to pin down a few new picture book ideas that have been bouncing around my head as well as finish the draft of a middle grade novel I began last summer. As a full-time high school English teacher, I find it hard to take advantage of the “crevices of life” that Amy Krouse Rosenthal talks about in one of her Ted talks; I’ll definitely be capitalizing on my summer break and my (almost) two months of uninterrupted writing time!

Thanks so much, Heather, and congratulations on your lovely debut picture book!

Heather Preusser graduated from Williams College and earned an M.F.A. in creative writing from the University of Southern Maine’s Stonecoast program. In her debut picture book, A Symphony of Cowbells (Sleeping Bear Press, March 2017), a Swiss dairy cow loses her bell and disrupts the harmony of the herd. When not writing, Heather teaches high school English, bikes the European countryside, and attempts to learn ridiculously long German words. She and her husband reside in Colorado. She can also be found online at www.heatherpreusser.com and on Twitter @HeatherPreusser.

You can buy Heather’s book here!

Julie Segal-Walters is a children’s book author who lives in Washington, D.C. with her husband, son, and pesky cat. Before writing for children, Julie was a lawyer and advocate for civil rights and civil liberties, and an international democracy and civil society development specialist. In those days, she was a frequent writer, public speaker, and commentator on NPR, Court TV, and C-Span on civic engagement and religious liberty. These days, Julie can be found advocating for her many favorite children’s books to anyone who will listen. Julie is fluent in Spanish, and loves to cook, but not bake. She thinks baking has too many rules. This Is Not A Normal Animal Book is her first picture book (illustrated by Brian Biggs) (Simon & Schuster/Paula Wiseman Books, Fall 2017). Visit Julie online at www.juliesegalwalters.com or on Facebook, Twitter @j_s_dub, or Instagram @juliesegalwalters.

You can buy Julie’s book here!

Stay up-to-date with all the Picture the Books debuts, news, and interviews on Twitter @picturethebooks, on Instagram @picturethebooks and by becoming a follower of our website/blog using the Follow button on this page!

Two Debut Interview – Gina Perry

Today’s Picture the Books Two Debut Interview, Debut author Ariel Bernstein interviews debut author Gina Perry about Gina’s illustrator debut, IT’S GREAT BEING A DAD (written by Dan Bar-El)! 

Ariel: Gina, congratulations on your picture book debut, IT’S GREAT BEING A DAD!

Gina: Thank you so much, Ariel! I still love that the word debut applies to something in my life. It sounds so formal and celebratory!

Ariel: If you could choose to live in the world of any picture book, which world would it be? Why?

Gina: When I’m working hard on final artwork for a picture book it seems like I live in that world. It’s a wonderful, immersive feeling. If I had to pick another world, it would be Emily Hughes’ Wild. Her environments are gorgeous and mysterious and who wouldn’t want to roll around with friendly (but wild) foxes!

Ariel: You get to pick a pen name – what is it?

Gina: I actually have a pen name! My maiden name is Perry. My married name is very similar (it even rhymes!) so it gets a tad confusing at times. I do like the slight bit of intrigue of having an alias.

Ariel: If you could take credit for ANY other published PB out there, which one would you choose?

Gina: Oh, just about anything by Peter Brown but especially MY TEACHER IS A MONSTER! (NO, I AM NOT.) It has all my favorite things in a picture book: humor, horror, friendship, and a revelation. Every last visual detail is lush but also adds to the story.

Ariel: How many siblings do you have and where do you fall in the birth order? Did it matter?

Gina: I am one of three girls, and as I’ve heard all my life, “She’s the baby.” Being the youngest had an enormous impact on my life. I had a lot more freedom and independence, but I was also interested in very different things growing up (books, school, art) so I carved my own path rather than following anything they had done before.

Ariel: Tell me about the pet/s you had growing up.

Gina: Dogs were always part of our home. My favorite little guy was a Lhasa Apso mutt named Fred. He always looked dirty, attacked the mail as it came in the mail slot, and was generally disliked by most of my family. But he waited for me to come home each day and spent all his time with me. There is something really special about having a dog show loyalty to just you in a busy household. That helped me overlook some of his other personality (and hygiene) quirks.

Ariel: Most fun or funniest job you’ve had, besides author/illustrator?

Gina: My first job after college was at a small animation studio in Boston called Olive Jar Studios. It almost felt like an extension of college: all young creatives, fun work, long hours, lots of take-out. I get to impress my kids that I once worked on Pillsbury Doughboy and Nesquik commercials. It also doesn’t hurt that it’s where I met my husband!

Ariel: What do you think would be the perfect Father Day activity?

Gina: Well, hopefully you have a copy of IT’S GREAT BEING A DAD to read, followed by cards and goofy gifts for Dad, a big homemade breakfast spread, and a family ping pong tournament.

Ariel: You have two debut books this year – congratulations! IT’S GREAT BEING A DAD, written by Dan Bar-el and illustrated by you, and SMALL, which you both wrote and illustrated. How did it compare to illustrate a book you wrote versus one written by another author?

Gina: Thank you! I had been working on SMALL for such a long time before it was acquired that it felt easy-breezy and thrilling to actually get down to final art. IT’S GREAT BEING A DAD required a lot more time to brainstorm character, setting, and compositions. I worked on them back to back so it felt more like a happy blur than anything else. I fully admit to tearing up while working on both books. It has been a long journey to publication and I felt the joy of reaching a huge career goal every day.

Ariel: Do you have any advice for illustrators about preparing for a debut publication?

Gina: Absolutely! Don’t be afraid to ask questions – you have lots of advocates wanting the book to succeed. Reach out to anyone who can help you navigate new waters. I have moments where I feel totally clueless about marketing, but I know I can ask friends, my agent, my publicist and find the answers I need.

Ariel: What’s next for you? Are you currently working on a new project?

Gina: I am working on final art for my next picture book as author/illustrator, TOO MUCH! NOT ENOUGH! to be published by Tundra, Summer 2018. This was my very first completed dummy and I am over the moon to get this book into the world. After that I will be working on another picture book for Tundra and hopefully submitting an early reader series proposal that I’ve been too busy to finish.

DEBUT AUTHOR BIO

Gina Perry is an author and illustrator working under the tall pines in New Hampshire.

She grew up in Massachusetts, drawing, playing with yarn, and burning through all the books in the library. Gina went to Syracuse University and worked in animation and as an art director before realizing that children’s books were her true calling. Her debut picture book, It’s Great Being a Dad (Tundra, April 4, 2017) , written by Dan Bar-el, is a hilarious story about imagination, play, and the best parts about being a dad. Her picture book debut as author/illustrator, Small (little bee books, August 1, 2017), is an empowering story about a small girl in the city, who shows us what happens if you take one big and brave step. Future books include Too Much Not Enough (Tundra, Summer 2018) and a yet untitled picture book (Tundra, Summer 2019). Visit her at ginaperry.com or on twitter @ginamarieperry or instagram @ginapineapple

INTERVIEWER BIO

Ariel Bernstein is the author of I HAVE A BALLOON, illustrated by Scott Magoon (Paula Wiseman Books/Simon and Schuster, Sept. 26, 2017) and the chapter book series WARREN & DRAGON, illustrated by Mike Malbrough (Viking Children’s, Summer 2018). You can find Ariel online at http://www.arielbernsteinbooks.com , and on Twitter @ArielBBooks .

Stay up-to-date with all the Picture the Books debuts, news, and interviews on Twitter at @picturethebooks, on Instagram @picturethebooks and by becoming a follower of our website/blog using the Follow button on this page!

Two Debut Interview – Lori Richmond

 

In today’s Picture the Books Two Debut Interview, debut author Camille Andros discusses PAX AND BLUE with debut author/illustrator Lori Richmond.

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PAX AND BLUE is illustrator Lori Richmond’s authorial debut (Simon and Schuster/Paula Wiseman Books, Fall 2017). Pax is the littlest everywhere he goes. In school. At playtime. On the train. Then Pax meets a pigeon at the park—he names him Blue and makes a friend who knows what it’s like to be small. And understanding each other can lead to the best friendships. You can purchase Pax and Blue now, or ask for it at your favorite bookseller.

 

CAMILLE: Hi, Lori!  I thought we could take a page out of Cece Bell and Lauren Castillo’s pro book and have a conversation like they did on Phil and Erin Stead’s Number Five Bus blog.

Which brings up several of my favorite things…Cece Bell, Lauren, and the Stead’s. It doesn’t get much better than those four, does it? You are lucky enough to know Lauren right? When did you guys meet?

 

LORI: Yes! Lauren was a former student of my husband’s at School of Visual Arts MFA program. But the first time she and I personally connected was at her reading of CITY CAT at Greenlight Bookstore in Brooklyn. 

CAMILLE: Ahhh…the Brooklyn connection. Nice! CITY CAT is adorable. It reminds me a bit of YOUR darling new book PAX AND BLUE!

Do you have favorite authors and/or illustrators that inspire you and your work or PAX AND BLUE specifically?

LORI:  I know, Brooklyn is everywhere, especially in kid lit. I absolutely love Bernard Waber’s LYLE, LYLE CROCODILE. Lyle is this big green thing on every page that stands out against all the neutral backgrounds. I wanted PAX AND BLUE to be a modern version of this. Since the story is about the emotional connection between two friends, I wanted them to really stand out on every page and have their surroundings recede. The background people and environments all visually blend together in the same shade of purple-y gray to allow the eye to go right to Pax and Blue. Was that answer too long?

 

CAMILLE: Not at all. I love it! I love to hear the process/reasoning behind the story and the art. I’m not an illustrator but the art has always been my favorite part of picture books. I love LYLE, LYLE CROCODILE and I love how you incorporated the elements you loved from it into PAX AND BLUE.

Do you remember CRICTOR by Tommi Ungerer? I remember staring at those pictures for what seemed like hours. I was fascinated by the idea of a friendly helpful snake.

How does your process work? Do you come up with the story first and then art or does an image come to you that you create a story around?

LORI:  The story always comes first. Even if the full narrative isn’t there, there is some idea or basic outline in place before I begin drawing. I admire those artists who live with characters for years in their sketchbook and have a lightning strike. That never, ever happens to me. It’s usually not even raining. Writing is hard.

CAMILLE:  I think so too. The only time I’ve ever had a lightning strike was when I was a senior in high school and I hadn’t finished an AP English assignment to write a Thanksgiving poem. My subconscious must have worked on it all night because I woke up early the next morning and wrote the weirdest, wackiest, poem in about one minute flat about decapitating a Thanksgiving Turkey. My teacher read it to every class, and I was so proud. I wish I knew what happened to that poem.

Someone asked me this question once and I thought it was interesting. If you could take credit for writing/illustrating one picture book already out there, which one would it be and why?

LORI:  Fun question! I really love THE CARROT SEED by Ruth Krauss and Crockett Johnson. It is deceptively simple with spare text and simple drawings of figures without environments. But the message of never giving up on what you believe in is so universal and timeless.

CAMILLE:  Yes! It’s the deceptively simple books that are some of the best. I could go back and forth picking your brilliant brain like this every day, but I should let you get back to creating beautiful books.

I’ll leave you with this one last question. If you could tell anything to your six-year old self what would you say?

LORI: “Lori, when you are in 5th grade, you will win the school spelling bee on the word ‘bivouac.’ This will happen after a several-round final battle against a kid named Billy. It will be an incredible triumph that you will continue to share with people when you’re 40.”

CAMILLE:  I can’t think of a better note to end on. Thanks Lori!

Now, everyone should go check out PAX AND BLUE available wherever books are sold!

richmondloriframeLori Richmond is a corporate creative director turned picture book author-illustrator. Her first solo book, Pax and Blue (Simon & Schuster/Paula Wiseman Books), released February 2017. Her second solo book, Bunny’s Staycation (Scholastic), will debut in 2018. Lori is also the illustrator of A Hop is Up! (Bloomsbury) and two more books coming in 2018. As a former contributing editor and media spokesperson for pregnancy and parenting brand, The Bump, Lori has appeared as a sought-after expert on all things baby on TODAY, Good Morning America, CNN, and more. She lives and creates with her family in Brooklyn, NY. Learn more about Lori at www.LoriDraws.com and on Twitter @loririchmond

 

androscamilleframeCamille Andros is the author of Charlotte the Scientist is Squished, her picture book debut, illustrated by Brianne Farley (HMHKids/Clarion, March 2017). She loves asking questions and won first place in the school science fair when she was in Kindergarten. She lives in Chapel Hill, North Carolina with her husband and six children who know a little something about being squished. Visit Camille online at www.camilleandros.com on Twitter @camdros, and Instagram @camilleandros.

 

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